she …

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She is a good, kind, fair mother. She works as a waitress in the hotel where I am staying. Every time she comes near the table I sit at, she gives me a kiss …

She is a big warm soft mother. She knits socks for the pleasure of pearling. Every time she opens her mouth to me she smiles …

She is a still steady joy of a mother. She watches small birds for hours in the even time.
She makes small sketches in transparent washes and ties them in bundles for me to lie down upon …

She is a wise, generous and tender mother. She washes my back in the room where I dress in. Every time she opens the wound
she puts liniment of whispers on …

She is a constant, most and sensitive mother. She makes small cakes and reads stories into them every day in the sunshine and hugs my tomorrows today … every time inter to twine.

She is a tender rock of a mother. Ever time she slices
debris from the unintentional all the while and recovers skerricks from deep wells of all that I have said IsaidIsaid…

She is a double hearted love filled mother. Every time she opens her arms to me daily, I magine sent messages of ever hope from the pages of the encyclopedia of monsters she has become …

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Image taken from eighteenth-century grimoire called Compendium rarissimum totius Artis Magicae sistematisatae per celeberrimos Artis hujus Magistros, about which the Internet yields little. It’s written in Latin and German; the Welcome Library, which published a high-resolution scan of the book in its entirety, suggests that it dates to 1775, though its unknown author apparently attempted to pass it off as a relic from 1057. The volume is labelled NOLI ME TANGERE: don’t touch.

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